A network of AI parody panel shows — performed live, heckled by the audience, kept for $3.

Pick a show and a panel of fictional co-hosts improvises a comedy episode in real time — talking over each other, taking the guest’s typed questions through an in-character producer, and landing a spoken sign-off before the clock runs out. The browser records the whole performance into a finished episode with a transcript, captions, and social clips. Built end to end as a working product — not a demo reel.

2 shows live · 2 in productionOne swappable show engineInterruptions, engineeredRecords in the browserAuto-cut social clipsFree to play · $3 to keep100% fictional casts

The live LONGSHOTS studio with a typed question in the ask bar and a pink Cut in button — Typed into the live show: **“Which failed gadget from the last twenty years actually deserved to win?”** A host is mid-sentence, so the button reads **Cut in** — the panel finishes the thought, then yields.

The finished episode playing on its page, full-color four-host master with the transcript following along below — Minutes later this page exists: the engine titled the episode **“The Gadget That Died Too Soon,”** recorded the full-color master, stamped a timed transcript (following the playhead below), and put the whole thing on a shareable page.

01 · The show, live

Four characters, one clock, no script.

Every line is generated in character during the show and spoken by a distinct synthesized voice. The hard part isn’t making them talk — it’s making them stop: interruptions cut in only over the tail of a line so the point still lands, a question put to the guest holds the floor open for an answer, and the show lands itself with a real spoken close instead of a timer kill.

Sterling delivering the cold open under a spotlight with a synced caption — **The cold open.** Captions reveal in sync with the voice — timed against the audio clock, not a word timer — while the speaking host gets the spotlight and everyone else reacts in glances and smirks.

Chip answering the guest's question by name with an interruption-ready caption — **The panel answers the guest by name, in character.** Interruptions are engineered, not accidental: a host cuts in only over the final ~900 ms of the current line, and the interrupted voice fades under the newcomer instead of stopping mid-word.

The pause overlay teaching that typing any time makes the panel yield — **Pause is allowed to be boring.** Tapping the stage holds the show — and the overlay teaches the better move: no need to pause to ask, type any time and the panel yields.

02 · Shows are data

A new show is a content drop, not a rebuild.

A show ships as a pack: cast, personas, voice casting, conversational choreography (who interrupts whom, how the sign-off goes), and a rights posture — every cast is fictional by rule, not by disclaimer. The engine supports two stage layouts: a panel grid, and a shared scene where the whole cast lives inside one backdrop. All of it renders on the product’s signature 5-pixel grid, snapped to whole device pixels so the squares stay crisp, with acting done by swapping expression frames — no procedural wobble.

The Set in Stone scene stage: four presidents carved into one mountain, Lincoln mid-line — **The scene stage.** Set in Stone plays four presidents carved into one mountain — Lincoln is mid-line here, his open mouth a swapped expression frame composited into the same pixel grid as the rock around him.

Set in Stone cast dossiers: Washington, Jefferson, Roosevelt, Lincoln portrait cards — **Every host has a dossier** — a role, positions, running bits, and a voice tuned per character. The premise page sells the cast before the guest ever enters the studio.

03 · The episode is real

Recorded in the browser, landed on a page.

While the show plays, the recorder re-rasterizes the same pixel grids the stage draws into a device-independent square master — and edits as it records: it pauses on silence so dead air between turns never reaches the file, and holds a beat after the sign-off so the ending breathes. The transcript is stamped against the recorder’s clock during the show, which makes captions a delivery-layer choice: toggleable on the episode page, burned into social clips, downloadable as files.

The recorded episode playing with the caption track on, transcript below — **The recorded master on the episode page, captions on.** Chip is answering the guest by name; the transcript below is the same timed data, so the caption track, the downloads, and the clip subtitles all agree with what was said.

04 · Moments cut themselves

Highlights are found, cropped, and captioned automatically.

A language model reads the timed transcript and proposes the funny moments; the clip engine turns each into a vertical cut — cropped to whichever host holds the floor, splicing between cells when an exchange spans speakers, with short burned-in captions. The model’s taste is advisory: the 60-second cap is enforced in code, speaker names are validated against the roster, and a human curates which cuts publish. The three frames below are from the clips the engine cut out of The Gadget That Died Too Soon — the episode at the top of this page — minutes after it wrapped.

Vertical clip frame: Chip mid-line in his own cell with a burned-in caption — **One clip, three camera positions.** The exchange opens on Chip’s cell…

Vertical clip frame: the same clip later, cut to Miles's cell as he takes the floor — …then cuts to Miles the moment he takes the floor — the splice points come from the timed transcript, not an editor.

Vertical clip frame: Max delivering a tag line in his cell with a burned-in caption — A second clip follows Max in for a one-line tag. Hook titles like **“Every failed gadget comes back later ‘wearing a hoodie’”** come from the detection, not a human.

05 · Free to play, pay to keep

The business model fits in one sentence.

Playing is free, with a published daily cap — no card, no credits, no meter running while you laugh. If an episode is a keeper, it’s $3, once, at the moment the show ends: a permanent page, downloads forever, re-downloading free. Unkept episodes stay watchable for a grace window instead of vanishing. Typed questions pass moderation before anything becomes public.

The wrap modal offering to keep the just-finished episode for three dollars — **The offer lands when it’s earned.** The show just ended, the modal quotes the actual question the panel took, and the episode exists exactly once — keep it, or let the grace window run out.

The pricing page: play free, keep for three dollars, five dollar gift pass — **The entire catalog.** Keeping is the purchase; the one add-on is a $5 gift pass that covers a friend’s night in the studio. No subscription, no token jargon.

06 · The network

One engine, a growing slate of shows.

The front door is a network gallery driven by a show registry — each show owns a premise, a cast, and one hue family that holds across light and dark themes. Two shows are live; two more casts are written, voice-cast, and in portrait production. Adding the fifth means writing characters, not code.

The ParodyPod homepage hero: Set in Stone on air now over the pixelated mountain — **The front door.** Whichever show is on air takes the hero — and the free-play terms are published right under the CTA, not buried in an FAQ.

The network section with LONGSHOTS and SET IN STONE live show cards and cast thumbnails — **Two live shows, one engine.** LONGSHOTS (techno-optimist futurists) and Set in Stone (dead presidents, live takes) — different casts, palettes, and choreography, identical machinery underneath.

Built end to end by Brian Fidler — fractional CMO & marketing technologist, Phoenix, AZ.

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